賈靖序言

賈靖序言

賈靖序言

时间:2012-02-25 14:04:01 来源:

>賈靖序言


        賈靖與時下的年輕人一樣,熱愛繪畫、音樂之餘,同時喜愛投入網絡的世界。各類型資訊不斷在我們的生活中湧動,但又不知不覺間被淹沒、然後迅速消失,科技的迅速發展在訊息流通層面幫了一大把,可惜亦只限於此,一切硬件上的成就並沒有為我們孕育出更和平理性的世界,戰爭沒有竭止,而且已伸延到更廣泛的層面,如商業戰爭、文化戰爭、網絡戰爭等,沒有戰火,但世界已變得傷痕纍纍。賈靖在瞬息萬變中,不只對事物的外在進行觀察,他更憑藉其敏銳的觸覺、內在的感悟和獨立思考的能力,感受事物的氛圍,並透徹把握其影響和力量,透過一切由內到外的觀察和分析,在畫布上留下他這些年來的心靈記錄。

        賈靖一直對武器感到興趣,他前期的作品,會將武器、軍人、軍服等令人聯想到戰爭的事物,弱化成唯美的圖像。藝術家近年不斷探討和反思,從多角度瞭解戰爭對文化、對社會、對人類及其行為思想上的影響,從實踐中逐步捨棄直接的描述,以更平靜、溫和、虛化的圖像投射出他的創作力量、氛圍及精神狀態,旨在揭露人類潛意識層面所隱藏的暴力行徑。其圖像的昇華,是藝術家刻意的審美判斷,而它所蘊藏的潛在力量,是對暴力的徹底反駁和更理性的批判。

        賈靖巧妙地融化了冰硬的機械,將它們以印刷模板的手法呈現,再配合縱横交錯的色塊、重重疊疊的文字,畫面構成變化多端的空間。賈靖的表達手法,帶着點點街頭藝術的精神和味道,這正與他一直秉持的反建制和非暴力的理念不謀而合。

        透過不斷的思考,努力不懈地實踐,賈靖一直繪畫、反思、再繪畫、再反思,由直接的具體描述,逐漸將事物虛化,建立其圖像與文字的表演。儘管有些時候會感到猶豫、無助,但正如他所言:「唯一能做的就是繼續畫,往死裡畫。」那分激情、內省和自發實在讓人敬佩,尤甚是一位年輕中國藝術家活在如斯功利主義的社會下,能純粹談藝術、談理想的着實不多,他的率真和堅持更讓人感到難能可貴。

        大家將於賈靖的個人展覽「靖式反撲」中,一起見證藝術家在創作上的成長和進步,藝術創庫畫廊亦希望為賈靖的藝途上給予更多鼓勵和支持,讓我們成為其當下存在體驗的記錄的一部分。

藝術創庫畫廊
2011年12月

    Jia Jing is interested in painting and music. Besides, same as the young generation nowadays, he enjoys web surfing as well. There is lots of information flowing every day everywhere, which come and go instantly but most of the time nobody would even notice. The rapid development of technology boosts the transmission of information. Unfortunately, it controls the physical aspect only. The technological achievement has never bred a more peaceful and rational world. War has never been ceased and further extended to more diverse layers, for instances, commercial war, culture war, cyberwar, etc. The world is worn down by those intangible wars with the invisible weapons. With the acute sensitivity, inherent perception and ability of independent thinking, Jia Jing perceives not only the appearances of things in the fast paced world and also the ambiance of them. The artist thoroughly masters their influences and forces via inspection and analysis from inside to outside. Day in day out, he traces his mentality on the canvas.

    Weapon has been Jia Jing's indulgence for years. In his early works, he smooths weapons, soldiers, regimentals and any war-related objects that we can think of into a series of aesthetic pictures. Recently, Jia Jing persistently studies and explores the impacts of war on culture, society, and behaviours and thoughts of people. The artist aims to reveal the hidden violence in the subconsciousness of human beings. The direct depiction is going to fade and being transformed to a tranquiller, gentler and smoother imagery which projects the artist's unique force, aura and mentality. This transcended imagery is a particular aesthetics judgment carried a hidden field of force that is an ultimate retort to the violence itself and a more reasonable sentence.

    Jia Jing wittily softens the deadly machinery that is then portrayed like stencil graffiti. A protean space is composed with numerous crisscrossing and intertwining colourful shapes and forms as well as various characters and texts on his canvas. The methodology of Jia Jing carries certain sense and interest of street art and which is coherent with the sentiment of anti-establishment and nonviolent approach at the very beginning.

    Critical thinking continuously comes along with endeavour practices. Jia Jing keeps on painting and introspecting around-the-clock. The subtle play of images has been established when they are smoothed and softened from his initial concrete representation. Although Jia Jing may have hesitation or feel exhausted, as he claimed ‘the only thing that I could do is to keep on painting until die.' His passion, introspection and self-initiation are deeply appreciated; especially when a young Chinese artist is struggling in a utilitarian society. It is rare to talk about art or dream. His insistency and sincerity are extremely precious.

    Let us witness the growth and advancement of Jia Jing in his solo exhibition ‘Hidden Retort'. Art Experience Gallery would like to show more encouragement and support while we are participating in the artist’s experience and record of the moment.

Art Experience Gallery
December 2011

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