杨柳作品介绍

杨柳 Li Chaoxiong
飞鸟  Flying Bird
2011
木板丙烯 Acrylic on Wood
150x120 cm

杨柳 Li Chaoxiong
雁过留痕 Traces of Wild Goose
2011 
木板丙烯 Acrylic on Wood
100x80 cm 

参展画廊Gallery :
北京现在画廊
Beijing Art Now Gallery

1982年出生于中国四川；现生活和工作于中国北京
Lives and works in Beijing, China

渐渐抛却了对我来说略显浮夸的笔墨技法，更希望可以一点一点老老实实勾勒所看到的，所谓眼见为"实",若你把"实"看作某种意义上的"在",而不仅仅是物体在光线反射中形成的实体,那便是含着泛神论的终极观念.不过但凡有绘画经验的人会明白这几乎是一种幻想,再现并不低级,反而是绘画绝对无法做到的工作,几乎到最后,画成的画成为了头脑中想象的形象，这便是所见到所得的视觉展现。比如,如果物体不反射光线,一只鸟怎么看到眼前的事物呢?那么就让鸟的眼睛发出光线好了。我觉得这比较有趣，就这样。

Pen and ink techniques gradually throwing off a bit exaggerated for me, but hope can be a little bit honest outline can see, the so-called seeing is "real" you "real" as a sense of", and not just objects entities formed in the reflection of light, that is his mouth, the ultimate concept of pantheism, but whenever there is a painting experience, people will understand that this is almost an illusion, reproduction is not low-level, but the painting is absolutelycan not be done, almost to the last, painted paintings become the image of the mind to imagine, this is see the proceeds of the visual show. For example, if the object does not reflect light, a bird how to see things in front of it? Let the bird's eyes emit light. I think this is more interesting this way.