女性风情——黄海燕作品赏析

女性风情——黄海燕作品赏析

女性风情——黄海燕作品赏析

日期:2015-05-05 11:14:05 来源:
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名家 >女性风情——黄海燕作品赏析

  观赏黄海燕的油画作品,第一感受就是色彩如此明丽,甚至有些许的柔媚,极像出自女性艺术家之手,实际上他是一个地道的山东汉子。他出生于山东聊城莘县,2000年毕业于山东曲阜师范大学,曾在中国艺术研究院研究生班学习,虽然他的外表和性格都充满北方的阳刚之气,但其绘画作品表现的却是柔柔的女性风情。
  海燕的艺术创作主要是油画,但他却非常喜欢中国的传统绘画和日本的浮世绘,并从中汲取它们的精华。在社会发展如此迅速的今天,女性题材成为各方面的热门话题。他正是抓住了都市中具有代表性的女性特征,创作了系列作品《状态》。从他的作品中,能领略到现代都市女性的风采,感悟的她们的情绪与生活状态——时尚的、孤傲的、落寞的、含蓄的、典雅的、青春的……她们都一一出现在海燕的画面中。
  看海燕的作品,会有以下几点感受:其一是色彩。也许是从日本浮世绘中得到灵感,他极其重视色彩的搭配,色彩也是中国画中极为重要的范畴,南陈姚最在其绘画理论著作《续画品》中云:“赋彩鲜丽,观者悦情。”意思是说,绘画色彩能引起欣赏者的情感的愉悦,海燕做到了这点。他的绘画色彩明亮,同时又带有水彩画的透明感,因此能给人以清新与明快,丝毫不带有城市生活的紧张与繁重;其二是注重形式的洗练,这一特点可能得益于他对传统中国画的喜爱。中国画讲究概括性,海燕的画恰恰具备这点,如同中国写意画,他不刻意去强调某一个细节,用笔自然、放松,部分绘画中,甚至带有“泼墨”的意境,能感觉到中国水墨画的“水墨淋漓”之状,如《状态》之六、之十二即是;其三,从开始走上绘画道路算起也有十几年的光阴,如果就技法而言,海燕也不再算是新手,但他却极力想抛开所谓的技法,力争将表达形式简单再简单,他试图以平涂的艺术手法达到对人物心灵的透视;其四,在构图上,他也力求简单化,他省略一切背景与周围的物象,画面中只有所要表现的主体人物,也正是这种简单,能让观者一目了然地体悟到海燕所要展示给人们的——处于社会转型期的中国都市女性的情绪与心态。

纪学艳 中央美术学院 艺术理论博士

 

  Female Mien
  -Appreciation of Huang Haiyan’s works

  When you appreciate Huang Haiyan’s works, the first feeling is that the colours are so bright or even soft which seems to be out of a lady’s hands but actually he is a native Shandong hefty man. He was born in Shenxian, a county of Liaocheng in Shandong province. In 2000, he graduated from Art Dep. of Qufu Normal University and he once studied art as a post-graduate in China Art Institute. Although his appearance and character are very masculine, his works are full of lovely female mien.
  Haiyan is majored in oil painting but at the same time he is very fond of Chinese traditional painting and Japanese Yamato-e and constantly absorbs essence from them. Nowadays with the development of society the female is becoming a subject of matter of artistic creation. He grasps the distinctive characteristic of urban women and created the serial works State. It is easy to detect in his works the features of today’s urban women and the state of their thinking and living eternally displayed in the paintings , either fashionable , or proud, or lonely or reserved or graceful or youthful……
  Looking at his works ,you’ll have such feelings: Firstly, the colours. Maybe he has been enlightened by the Japanese Yamato-e, focuses too much on the arrangement of the colours. In Chinese painting, colour is an important factor. Nan Chenyao once in his artistic theory works Xuhuapin said , “The colours of painting could stir up the observers’ enjoyment”. Haiyan has done it very well. His colour is bright and transparent which makes the people feel fresh and bright without any tense. Secondly, brief forms, which maybe derived from his interests of Chinese painting. He pays attention to the general formation of a painting but never painstakingly emphasizes on a special detail. He tries to simplify his expression with a natural and relaxing touch and even a touch of splashed ink in some of his paintings. Thirdly, it takes more than ten years from the beginning till his painting life if only according to his skills, he can’t be called as a green-hand but he tries his best to separate from the so-called skills and to express in a much simpler way. Lastly, he tries to simplify his expression by omitting the objects around in the background and only depicting the figures in order to reveal the soul of the figures and to allow the viewers to directly understand what he wants to illustrate-the mood and mentality of Chinese urban woman in this transforming society.

Ji XueyanDoctor of China Central Art Institute

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