2008年作品《农夫与农妇，太阳与月亮》前言

“阴阳者天地之道也，万物之纲纪，在变化之父母，生杀之本始，神明之府也”。——《素问》

 

天为阳，地为阴；日为阳，月为阴；男为阳，女为阴；白天为阳，黑夜为阴。王跃龙在他的作品中融入这些元素，用镜头来思考和表现他们相对，依存，消长和转化的关系。

 

在画面方面，作者精心布局，使黄金分割充满作品每一个细节，总体上呈现出愉悦和谐之美。色彩上，大胆的绿色调超出了自然，也超出了人们的审美习惯。绿色与农妇头巾的红色形成对比，同时和太阳的光辉相互呼应。人，动物，自然和谐美妙，还伴有一丝与宗教信仰有关的诡秘和幽默。

 

"YIN and YANG (in Chinese philosophy), are fundamental law of all things. All things are not contrary to this rule exists. Things change by its own yin and yang, two things, the formation of the movement and interaction. Things are the generation and destruction from this fundamental rule. This is all the natural wonders of the host."——<Suwen>

 

Sky is YANG, earth is YIN; Sun is YANG; moon is YIN; Men are YANG, women are YIN; Days are YANG, nights are YIN. Yuelong WANG has integrated these elements in his works, and with his camera he expresses the relationship of relative, interdependence, growth and decline, transformation.

 

The layout of the screen is meticulous and all the details compliance with the law of 0.618.The whole picture is harmonious. And for colors, bold green beyond the natural, at the same time, beyond people's aesthetic habits. Contrast to the red scarf, the green color become helpful. Human, animals and nature, the relationship is so wonderful. And something about religion in the village in the picture let us feel surreptitious.

 

 王跃龙 《农夫与农妇，太阳与月亮》